米开朗基罗的凝视
《米开朗基罗的凝视》是2004年上映的剧情类电影,由米开朗基罗·安东尼奥尼执导,米开朗基罗·安东尼奥尼、Enrica Antonioni主演。《米开朗基罗的凝视》讲述了意大利导演安东尼奥尼一个人在寂静的圣·皮埃尔·奥里安教堂,静默着,与米开朗基罗的摩西像相互凝视。
基本信息
- 中文名
米开朗基罗的凝视
- 外文名
Lo Sguardo di Michelangelo
- 类型
纪录片、短片
- 国家
意大利
- 语言
意大利语
- 国籍
意大利
基本信息
米开朗基罗的凝视 Lo Sguardo di Michelangelo(2004)
导演:米开朗基罗·安东尼奥尼编剧: 米开朗基罗·安东尼奥尼 / 米开朗基罗·安东尼奥尼 / Carlo Di Carlo上映日期: 2004-05-22片长: 15 分钟1
剧情介绍
By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art.
参考资料
- 1米开朗基罗的凝视 Lo Sguardo di Michelangelo(2004)
知识合集
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