概述

剧作家在社会实践中积累的生活的原始材料，包括人生印象、生活场面、现实人物、自然图景、社会事件等，它们作用于剧作家的视觉或听觉，在感觉层次上形成较为深切的感受，其中的某些印象会影响到剧作家以后的戏剧构思.这些生活材料虽未经过综合整理和提炼加工，戏剧素材还仅仅是现实生活的原生状态，带有零散性、片断性的特点；但它是戏剧作品赖以产生的基础，剧作家只有大量积累丰富的生活素材，才有可能进入戏剧构思和戏剧创作.戏剧素材的来源大致有两种：一是直接的来源，即剧作家亲眼所见、亲身体验的人和事；二是间接的来源，指剧作家道听途说的人物事件以及一些收集得到的文字资料等. Playwright in the social life of the practice of accumulating the raw materials, including the impression of life, life scenes, realistic characters, a natural picture, social events and so on, they are acting on the playwright's vision or hearing, in the sense of the level of a relatively deep feelings, Some of these impressions will affect the future playwright, theatrical ideas. The life of materials, although not through a comprehensive finishing and refining process,dramatic real-life material is just the native state, with the scattered nature of the characteristics of fragments; but it is which produces dramatic works is the basis for, the playwright only a lot of material has accumulated a wealth of life is it possible to enter the theater ideas and theatrical productions. theater generally, there are two sources of material: First, a direct source of the playwright saw for himself to experience the people and things; 2 is indirect sources, that the playwright hearsay character events, and some collected text information.

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