内容简介

《色彩与光线：写实主义绘画指南》介绍的是画家进行艺术创作的两个最重要元素-色彩与光线。色彩与光线是所有彩色画都需要考虑的基础点和关键点，也是画家作画时经常遇到问题的地方。《色彩与光线：写实主义绘画指南》首先通过回顾大师作品，讲述了传统绘画当中对于光线和色彩的运用。紧接着论述了光源、光线对形状的影响，色彩的元素、油画和颜料、色彩之间的关系，怎样混合颜料，不同材质的表面对光和色彩的影响，以及各种各样的大气效应。

作者简介

James Gurney is the author and illustrator of the New York Times bestselling Dinotopia book series, which has been translated into eighteen languages in thirty-two countries. He designed the World of Dinosaurs stamps for the United States Postal Service and has worked on assignment for National Geographic magazine, painting reconstructions of Moche, Etruscan, and similar civilizations. His unique blending of fact and fantasy has won Hugo, Chesley, Spectrum, and World Fantasy Awards. An exhibition of the artwork from Dinotopia began at the Smithsonian Museum in Washington, D.C. and will continue in the fall of 2007 at the Los Angeles Public Library and the Oshkosh Public Museum in Wisconsin. Gurney lives in the Hudson River Valley of New York with his wife, two sons, and a blue parakeet, a living descendant of dinosaurs. For more information, visit www.dinotopia.com.

作品目录

前言第1章传统1.1大师们使用过的颜色1.2学术传统1.3英国的露天绘画作品1.4哈德森河学校1.5外光派运动1.6象征主义梦想1.7杂志插图第2章光源2.1直射阳光2.2阴天光线2.3从窗户照射进来的光线2.4烛光与火光2.5室内电灯光2.6街上灯光与夜景2.7发光2.8隐性光源第3章光和物体3.1组成原则3.2光影分离3.3投影3.4半投影3.5封闭投影3.6四分之三光3.7正面光3.8边缘光3.9对空光3.10下面光源3.11反射光3.12聚光照明3.13规律的局限性第4章色素4.1重新定义色轮4.2色度和色值4.3本色4.4灰色与素色4.5绿色问题4.6渐变色4.7色调第5章颜料5.1寻找颜料5.2颜料表5.3耐光性5.4暖底色5.5天空面板5.6透明与上光5.7调色板布置5.8限制颜料的使用5.9关于泥土色的辩论第6章色彩间的关系6.1单色方案6.2暖色调与冷色调6.3有色光组合6.4三色成组6.5强调色第7章预混合7.1混合颜色串7.2色域匹配7.3创建色域蒙版7.4颜色方案的形状7.5混合可控色域7.6颜色脚本第8章视觉感知8.1没有颜色的世界8.2月光是蓝色的吗？8.3边缘与深度8.4对立色8.5色感一致性8.6适应与对比8.7开胃与治愈功能第9章表面与效果9.1光的传输9.2表层下散射9.3面部颜色区域9.4头发的秘密9.5焦散线9.6镜面反射9.7高亮区9.8色冠9.9动作模糊9.10摄影与观察第10章大气效应10.1天空蓝10.2空气透视法10.3反空气透视法10.4黄金时刻10.5夕阳10.6浓雾，薄雾，烟气和尘土10.7彩虹10.8天空洞与叶子10.9日光束与投影束10.10光斑10.11云翳10.12加亮前景10.13雪与冰10.14水：反射与透明10.15山间溪流10.16水下颜色第11章光的变化显示11.1系列画11.2一天的结束第12章来源术语汇编颜料信息推荐读物因特网资源致谢

1

参考资料