内容简介

《音乐探索:中央音乐学院音乐学文集(英文版)》由中央音乐学院出版社出版。

图书目录

Acknowledgement Music Aesthetics and Appreciation A Foreword to the book“Interpretation of Tragic Content in Chopin' s Music” The Aesthetics of the Universal Union of Man and Nature: The Combination of Emotion and Setting as Influences upon Traditional Chinese Music Thoughts on Problems Relevant to Prospects of Musicological Development at the“Forum of Contemporary Musicology Research Experts” in Nanjing Is There Such Thing on Earth as Art?——A discussion with E. H. J. Combrich Over the Imperial Millennia, with Ritualism Being Paid Its Due: Who Would Have Dared Express the Affectivity of Music? Neutralization: Tendencies in the Post-Westernization Era - Predictions about the New Paradigm of Muhicuhuralism in Music The Trend from “Not Beautiful” to “Not Being” ——What Is the Baseline of Art? Concern about One' s Audience——Revelations from Contemporary Hermeneutics and Reception Aesthetics Addressed to the Aesthetics of Music Chan and Qin: Buddhist Thoughts in the Aesthetics of Guqin (Seven-Stringed Zither) Standardized Evaluation and Non-Standardized Evaluation in Music Aesthetics Reflections on Perceptual Wisdom—— A View of Formalism in the Aesthetics of Music A Commentary on Zofia Lissa' s Thoughts Concerning Musical Aesthetics Discussed in Three Books Chinese Traditional Music Thoughts on the Historical Source and Development of Quanzhou Nanyin ( Southern Sounds of Quanzhou) Original Style:“Original-State” or “Original-Ecology”? The Sixth Progression in HaM (Chinese majority) Folk Songs Study of the Literal Notation in the Christian Hymns of the Ethnic Minorities in Yunnan Province On the Loss of Traditional Musical Thinking in the Current Development of Chinese Instrumental Music Some Doubts about “Protoecological” Music Nianci ( Word Recitals) : Folk Ritual Songs in Xi' an Guyue( Instrumental Ensemble of Xi' an) Chinese Music History Ding Shande: A Pioneer and Founder for the Development of Chinese Piano Music Rewrite Musical History: A Timeless Subject Development of Chinese Piano Music Western Music History When "Criticizing Absolute Music" Was in Vogue Bach Studies in China Composition, History of Music Structure and the History of Human Beings Introduction to the Musical History of Daulhaus Johannes Tinctoris and the Change of Ideas in Music in the Renaissance Rhetoric: A Strategy for Musical Breakthrough Observation and Analysis of How Artistic Trends in European Music Emerged from Religious Liturgy World Music The Spread and Influence of Indian Music and Dance in China Music of Original Ecology and Origianl Ecology of Music African Music Study in China

文摘

A person holding an empty barrel appears on the stage and urinates into the barrel in public, making a noise, and then calls it“ musical works” (there are more examples like this under the pretext of “Behaviorism” in the field of fine arts). Faced with such “musical works”, the fool is not the “creator”, but rather it is the audience or “theorist”failing to laugh at the contemptible ignorance and shamelessness of this behavior, and holding a serious discussion about“what is art”? They begin to doubt their own good sense of judgment about general knowledge in response to the stage performer' s way of doing things. John Cage' s “works” such as 4“33”caused aesthetic theorists all over the world to think about “ what is music?”, “what is art?”, a galling shame and considered deeply insulting in intellectual circles! The best attitude towards this phenomenon is to show contempt by either a hilarious laugh or an angry curse, laughing at the lack of basic general knowledge, especially that of logic and philosophy. But, we cannot take such a superficial attitude towards the question as to why there emerges just such a phenomenon, precisely because it concerns itself with the essence of art in many respects.